After several focused weeks on representational paintings, it feels great to work loosely. Here’s a 24x20 acrylic piece on panel that I’m purposely keeping loose. I’m kind of chasing after whatever it’s going to be, which is a total blast!
To coincide with First Thursday gallery hopping this month, and for those of you who could not make last week’s opening, Steve Piasecki and I will be at DaDa (click here) for a meet and greet with visitors to our group exhibit “URB”.
WHERE & WHEN: DaDa Gallery Bar - 65 Post Street Thursday night from 5-7pm.
The exhibit features works by local artists Steve Piasecki, Ricky Mendia, and yours truly. Come enjoy urban art, photographs, a very unique video installation, and my new painting series (click here to see).
The show runs through April 15 at DaDa Gallery Bar -- 65 Post Street, San Francisco.
I am filled with gratitude and humility for the enormous show of support last night! What a great turnout.
The show looks wonderful, with work from Steve Piasecki, Ricky Mendia, and yours truly. It runs through mid-April. Visit Dada Bar at 65 Post Street, San Francisco.
Here are shots of my pieces in-situ.
Here I am on the way to install the show last week.
I am excited to unveil several new paintings as part of a threeway show with Steve Pi and Ricky Mendia at Dada Art Bar!
The show features urban scapes — photos, paintings, video installation and street art. Here’s a preview of one of my favorites, which I just finished for the show.
OPENING FRIDAY, MARCH 1 - 7 TO 10PM - DADA ART BAR - 65 POST ST - SAN FRANCISCO
I took a break from painting to chauffeur some artwork up to Washington...snapped a quick vid of crews on Lake Union.
I am super excited to announce my upcoming exhibit of five new paintings! They’ll be part of a three-person show at San Francisco’s art bar, DaDa Bar.
The show includes three distinct exhibits focused on contemporary urban landscapes, rendered using various creative approaches such as street art, video, photography, and painting.
On view will be this 20X24 painting I just finished of Thee Parkside. Come to the show to see what else we have in store! It’s a bar, which is fun enough, and we’ll have a cool DeeJay, so stop by and hang out with friends and see some cool new art for 2019.
7 to 10 pm - March 1
65 Post Street
San Francisco, CA 94104
Here is a newly started piece - an acrylic palette knife painting - the first of several paintings in progress, for a February show in San Francisco! This one is of THEE Parkside, an infamous dive music bar in SF, before the new buildings surround it.
new construction currently in progress
cranes are a dominant feature in this series
Out for a stroll on Potrero Hill, fueling my architecturally focused upcoming painting series.
Made this piece at a local San Francisco Coffee Shop. Dropped it in SOMA, on Ringold Street.
14x17” Archival ink on acid free paper.
14”X 17” ink on paper.
This knife painting of Bjorn was fun to paint. He’s a new acquaintance with an adorable disposition I thought worthy of capturing in his youthful state.
I began with single knife-strokes of thick-bodied paint, with no blending whatsoever. Because I mixed my colors loosely (from red, blue, yellow, and umber), you can see the raw colors streaking through each stroke. I used a limited palette to keep things harmonious. These strokes formed a base upon which I blocked out the shape of Bjorn, then applied small stalagmite-like dots and dashes to help simulate a mottled concrete surface. It ended up looking more like a galaxy than a patio, and because I loved the effect, I kept it. I then laid in the details of Bjorn’s fur, building him up sculpturally so that he floats in the galaxy. I intentionally left off his shadow, which would have made him look more like a panda bear, and less like he’s floating in space dreamily gnawing on a rawhide treat.
See it in person through November:
Lone Star Saloon
1354 Harrison St
SanFrancisco, CA 94103
Here’s some detail of the finished piece. Scroll down to see the painting in progress.
lots of fun texture!
I’m delighted to announce my current solo exhibit running through the first week of December. For this show I did six knife-paintings of dogs I’ve encountered via the patio at the Lone Star Saloon.
These are 20”x 20” acrylic paintings on panels. My sculptural approach to these pieces relies on thick-bodied paint applied with a palette knife in many layers. From 10 feet away or more, I want the paintings to look like the dogs I’m portraying, but as you get closer, they should fall apart into unrecognizable shapes made from lots and lots (and lots) of tiny knife strokes.
I chose to paint dogs because they’re awesome, and it’s the Year of the Dog according to the Chinese calendar. Almost every year I produce a few themed pieces based on the Chinese Zodiac.
I am incredibly grateful to the Lone Star Saloon for honoring me with the gift of a show. Please stop in, buy a drink, and check out my paintings (and their killer patio).
Lone Star Saloon
1354 Harrison St
SanFrancisco, CA 94103
Work in Progress - this is the underpainting (a rendering of the patio surface at the Lone Star Saloon), upon which I will paint a portrait of Bjorn, a new Patio Dog who has found a home at the Star. This piece is part of a series for my upcoming solo show, which will take place at said Star in November. acrylic on panel - 20x20”
here is the under-underpainting
I’m excited to be part of another collaborative art making effort — this time with fellow artists Charlie Stuart Evans, from the Lone Star Saloon, Jeffery Cassaro, and Steve Piasecki.
This is a piece of denim that we painted with bleach, then distressed with flame, wine, and coffee.
Here’s a nice shot of some finished pieces with panels-in-progresso
For those of you who don’t know what kind of prep work goes into something like a painting on panel, here are six awesome birch panels I got from my supplier. They come sanded and smooth, but are raw wood.
The birch panel is a laminated product that is mounted to a solid wood frame with glue and nails.
Gesso and acrylic paint contain water, which can cause oils and adhesives in the panel to leach and eventually discolor the artwork. For this reason we must seal the wood completely before any gesso is applied.
I use two coats of a Liquitex product called Matte Medium, on every side, front, and back. This impervious product blocks any migration of stains from the wood to the artwork. The matte finish also provides a nice “tooth” for the next layer — Liquitex gesso.
Next, I tape the sides, then apply a thin coat of gesso to the front and backside of the actual panel. One coat goes on the front and dries, then a coat goes on the back. I repeat this process, sanding each coat before recoating. The gesso stabilizes the structure of the panel and provides a great surface for paint. Coating the front and back equally prevents any buckling or warping — especially on larger panels.
I then give it a final sanding on the front side, and it’s ready for paint!
Since it takes about 3 days to get them ready, I have time to do some drawings or work on other paintings.
I’m preparing for a group show in February with an urban theme. Here’s Ringold Alley, San Francisco, looking toward downtown. ink on paper
I’ve worked with lots of different media over the past several decades: ink, paint, wine, coffee, wax, and more.
While I tend to gravitate toward the comfortable familiarity of ink drawings on paper, I also know pushing my artistic boundaries is a worthwhile undertaking — if not an essential part of a healthy balanced creative breakfast.
So, I’ve committed (and challenged) myself to mount a solo show of original acrylic paintings in November!
Painting, it’s not for the lazy. I am rediscovering how much work goes into doing it right! From choosing archival quality materials and prepping the substrate, to developing the patience for new systems of production (drying time, curing time, cleaning brushes...).
I’m finding these liberating constraints to be wonderfully refreshing! I’m also learning to appreciate the forgiving nature of paint (it’s pretty tough to cover up a stray ink mark on paper, but with paint, it takes merely another swipe of the brush). But painting also requires different skills, so I have to actually THINK about each strike a bit more. This staged process forces me to live with each step, as opposed to the immediacy of finishing a drawing in one sitting.
I’m really excited to dip brushes again especially for a larger body of work.
20”x16” - titanium white base layer, on primed and gessoed birch panel, with 2” cradle.
I like to mark the change of seasons with trips to my favorite local shore, Baker Beach, where the sound of waves helps me ease into the coming months. Monday, after a thick blanket of morning fog, we had almost two hours of sunshine before the beach became enveloped yet again. Ah, it’s finally Fall in San Francisco, which is kind of our summer. Either way, the beach is not a bad place to go to work!